- Title design
The title design is the first specific field which let motion design proliferate. Initially static text information transformed into a narrative form using visually strong typography and graphic iconography. Together with production tools of the time and the prevailing influence of modernism it made the characteristic image of the genre. Some of the best creators professionally grew up right on the title design genre. It still remains among exclusive and very popular genres today. The popularity of the film and television industry helped to extend the use of new technologies and creative forms for the industry. It also helped to spread the idea of animation as complementary to graphic design.
- Motion Graphic Sequences
The film and later television narration has always offered a space for supportive graphic elements. It all started with typographic cards for silent movies and continued with infographics in news broadcasts. The development of visual culture and technological possibilities helped to enrich graphic sequences and extended the range of their use. The main principle for these remains the same. It complements the main narration with additional information. Whether it is clearly informative and factual. Or making an illusive effect.
- Motion Narratives
Graphic design has a great ability to simplify things. The use of abstract visual graphic forms has always been an appropriate way for explaining complicated an intriguing problems and relations. Animation levels that up. It can structure and direct the information flow to make it even more clear and simple to understand. Animated films based on simplified graphic forms were used early on for government, corporate, educational and scientific needs and remained popular until today. They present a clear narrative with a clear message. Because of its abstract meaning science can't be explained well enough with a live footage movie. But in form of motion design it can gain quite a popular interest. As well as developing news features and visual essays.
- Interactive Design
The animation can also take a part in non-linear interactive forms manipulated by the user. Depending on the size of medium the dynamics of design is its key aspect. The motion enables to underscore the semantic part. A shake of a button on display telling you about a wrong input. Animation enables one to simplify and make a hierarchy of the information structure the user is engaged with. Meaningful phasing of information, their motion and transformation together help to navigate in the digital space. Or can just simply impress the user and let him enjoy the interaction a bit more.
- Dynamic Visual Identity
The ability to work with a logo and a visual identity that develop throughout time found one of its early uses at television stations. British Channel 4 introduced its modular logo in the 80's. Parts of the logo became active in variety of motion choreography and formed a range of different structures like clocks or layouts. The expansive range of creative approaches to the visual identity was accelerated when MTV came in. It offered a wide open space to young creatives for freely experimenting with the identity. Animation enables visual identity to develop its potential beyond the framework of its static use.
- Spatial Motion Design
Digital and interactive platforms let motion design expand from screens to space. Motion design is naturally illusive. Using advanced projection technologies enables us to modify and create new space order. Established and experimental technologies as live tracking or 3D mapping let motion design use a vast range of narrative situations from light installations to complicated scenic stories. Motion design then owerpowers the space. Ranging from tiny projections on a body or interior installations to stage compositions and massive projections on architecture or natural landscapes.
- Experimental Motion
The experimental approach goes hand in hand with the abstract motion medium. Thanks to this motion design becomes very inclusive. New technological possibilities still expand the space for exploring new artistic approaches. The specific meaning is not the key and can be missing in the narration. More important is the creative expression, innovation and subjective feeling of the piece. The oldest examples of motion design can be traced back to experiment abstract animation authors like Oskar Fischinger or Hans Richter. Their animation studies connected the visual medium with music in a way that had not been explored before. Choreography of the abstract image established a dialogue with music. The strong cohesion of sound and motion still belongs among dominant creative approaches. Experimental creation offered a space to use with a massive variety of artistic tools. The collaboration across different fields continuously widens the interdisciplinary area of motion design.
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